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Theodore

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THEODORE (he/him). An old diary of sorts. Writer & amateur language learner. Voracious reader. I may kick around here again someday.

»It comes to this then: there always have been people like me and always will be, and generally they have been persecuted.« —Maurice, E.M. Forster

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scvdder: a golden-haired man with a pointy moustache and a sharp suit leaning over on one elbow in interest (Default)
In The Secret History the eccentric Greek professor said "Better to know one book intimately than a thousand superficially," and ever since reading that I took it to heart. It's difficult for me to articulate the effect this book had on my life. It was so formative, I can hardly believe I only read it in 2018. I have learnt so much about myself — about the world, about writing! — through the lens of this book. This 300-page tragedy from the 40s helped me come to terms with being trans.

As a piece of gay representation, it's flawed: the protagonist Charles Ryder makes a 180 halfway through the book and decides that he was not in love with the enigmatic but tragically alcoholic Sebastian Flyte, but was actually interested in his sister the whole time. Sebastian was merely the forerunner. And other gay characters (most notably the aesthete Anthony Blanche) are treated with even less respect by Waugh. It pales in comparison to other pieces of its time, most notably Maurice by E.M. Forster, a bildungsroman specifically about a gay man coming to terms with his sexuality in the post-Wilde 1910s. Sebastian and Charles certainly have chemistry and to a modern reader, the nature of their relationship is clear, but all the details are omitted.

Personally, I've always loved the mystique of those early Arcadian days Charles and Sebastian shared, through it I can project all the tenderness I want on them; through it we catch a glimpse of the love countless other men knew — Waugh included. To me, Charles and Sebastian will always be the archetypal lovers, rivals to Romeo and Juliet.

I have even learnt some new things in this specific readthrough:
1) After seeking out other works by Waugh (namely Decline and Fall, and The Loved One), I learnt much to my surprise that the most romantic and sentimental writer I knew was also an adept comedic writer. His comedic sensibilities were far more bleak than I anticipated, and far more absurd but I genuinely enjoyed both books. So I had a newfound appreciation for the comedic moments in Brideshead, namely in the characters of Bridey Flyte and Charles' father. And
2) I definitely need some space from the adaptations before I sink my teeth back into Brideshead Revisited again. I know some people consider the 1981 serial an authority on the subject, but I prefer to take the book for what it is, I felt like I was just reliving Jeremy Irons' performance at times.

In annotating this book for the first time, I make an absolute mess of my meek paperback copy but I will no doubt treasure it until the day I die. And then I will be buried with it.

Latest Fixations

Sat, Oct. 26th, 2019 10:25 pm
scvdder: painting of soft blue clouds (clouds)
I've had an onslaught of assignments this month, I'm almost delirious with the anxiety, so naturally my brain has jumped on a couple of fixations. Because what better time to adopt a new obsession.


SPIRIT PHONE
Almost anyone who has experienced the internet is familiar with Neil Cicierega's work in some capacity
— be it through The Ultimate Showdown of Ultimate Destiny, Bustin, Ariel Needs Legs from the important videos playlist, Two Trucks,  or naturally the Potter Puppet Pals — but most people don't realise it's all by the same man.

But I did.

And then I dug further and discovered that he has three entire albums of mashups that are insane. I mean words cannot express how bonkers these combinations are or the finesse that he pulls them off with. He uses motifs from All Star by Smash Mouth and Wonderwall by Oasis and manipulate them until they're broken shreds of what they used to be, and then mashes up Pop Corn and Let the Bodies Hit The Floor and makes it work?? Not only that but he makes it sound good. My current favourite is Wow Wow, which is Will Smith's Wild West vocals over a synthpop beat. It's so damn catchy. Not only that, but all these albums are available for free download straight off his website.

But I couldn't stop there, I had to give his original music a try. In 2016, under the name of Lemon Demon, he released Spirit Phone in which every song has an X-Files/paranormal undercurrent — a man's whose death becomes more and more creepy & comically absurd; a song from the perspective of an arcade game that makes people go crazy & kills them; a love song from Ronald Reagan — all over 80s synths. The lyrics are so good, I really love the double entendre of writing a song that works with both the surface level and the metaphorical. A song about someone possessed with the idea of building a big tower is both kinda scary & paranormal, and about the futility of the capitalist/neoliberal idea of Progress. And every single song is a killer dance beat.

So Neil Cicierega is a man who exists and makes art (even, in my opinion, good art) but I really think the fact that so few people know about him, even though he's been behind a number of memes, is really interesting. In an era of Instagram Influencers being paid thousands to advertise, and the push of an idea of a personal brand, Neil Cicierega isn't trying to commodify himself. And as an intervert and a commie, I have so much respect for that.


MCELBOYS
Almost in contrast to that, we have the McElroys, whose presence have been pervasive on the internet (at least in the corners that I lurk in) that it's surprising it's taken me this long to catch on. But catch on, I have.

The McElroy brothers started a podcast for bad advice some years ago called My Brother, My Brother, and Me; and since have branched off to have their fingers in many other pies. I'd actually tried to listen to get into MBMBAM before but Justin & Travis have strikingly similar voices, there was no way I could figure it. That was months ago, if not a year or two. On a whim just less than a fortnight ago, I decided to try listening to their D&D podcast, The Adventure Zone and what a slippery slope that is. Since then I've listened to 21 episodes of that, watched their short-lived TV show, listened to a couple of episodes of MBMBAM properly, and listened to The McElroy Brothers Will Be in Trolls World Tour which is honestly some of the best story-telling I've seen in a long time. Because (spoilers) they actually did fucking get roles in Trolls World Two and the journey is so absurd. The hubris. And now I feel like a fool because I actually want to see Trolls World Tour now. I'm sure I won't enjoy anything else in it, but I want to see the conclusion to this story.

Each of the three brothers also run a separate podcast with their respective wives which... blows my mind. How can someone bare to show so much of themselves to the world? Is that not draining? I suppose it's a fill-time job, so they don't have to juggle much else on top of the recordings & editing, but I know I would not be cut-out for it.


Listening to a podcast again has also got me wistfully missing Welcome to Night Vale. I liked it a lot, but I lost momentum and now don't really know where I was up to. Somewhere around ep. 40 I believe. But such a backlog is so intimidating.

scvdder: two boys poised about to kiss (one blonde, one dark haired) (samfro)
ROPE
There is nothing quite like a good murder film and Rope definitely delivers.

It is difficult to go wrong with Hitchcock - although there are many men in cinema who have been grossly overrated, ol' Alfred is not one. After quite liking Rebecca and North by Northwest, I was optimistic about this movie, and rightly so. It is always difficult when a director is adapting a stage production into film but it can be done (examples ranging in quality from The Producers to the gorgeous Chicago) and Hitchcock did wonderfully. All the action is filmed in long shots of about ten minutes, and half of these are quite cleverly masked by the dark jackets of passing guests. The way the camera wanders through conversations and picks up the most interesting one in that moment is precisely how the focus of the play would shift.

The movie is actually based on the true story of two uni students who murdered a younger boy because they believed themselves to be elite and powerful and that murder is the perfect was to prove it. Although this version differs a lot in how gay it is. Obviously there were very strict censorship codes at the time, and a very different audience, the dynamic between Brandon and Phillip was electric. They gravitated towards each other and were very intimate, yet as it cannot be said, it does allow the characters to be treated as equals with the others and their relationship is natural.

I'd like to see more of Hitchcock's films, including rewatching some old ones. It's such a privilege to be able to peer into the 1940s with these sorts of films and see the authentic fashion and culture.



ATOMIC BLONDE
After Rope, I went to the cinema to see Atomic Blonde and while the representation may not have been perfect, etc

it was a bloody fun film. The soundtrack was kicking and the lighting was gorgeous (as were the actors, obviously). It was precisely what I would want from a Jamie Bond film: the violence, the quick pace, seducing the girl. This alone would make for a successful film but Atomic Blonde goes further in its vivid aesthetics, fashion and music, fleshing out the characters quite well, and even questioning the reliability of the narrator. We see Lorraine at her weakest and we see her fight her way back. Much of the action is taken in long shots which are amazing and allow you to follow and appreciate the well-choreographed action scenes (as opposed to the dizzying and disjointed quick-cuts typical to the action genre). While the plot is somewhat lacking, they always are in action films. And for what it's worth, the plot really does make you think.



tl;dr: I can rest easy tonight in the light of watching two new good films.
scvdder: painting of soft blue clouds (clouds)
I recently finished reading Harry Potter and the Prisoner of Azkaban for the umpteenth time, and I must say, dear friends, this book has never let me down.
 
It is a common proverb that  'Harry potter is like wine - it gets better the older you get' and god is that true. I think ultimately the reason Harry Potter has been such a successful series and why it did not translate well to film is due to the subtlety of the writing. Very small moments have a large impact on the course of the book, such as the first Care For Magical Creatures lesson wherein Draco offends Buckbeak (who, by the way, can understand English, I feel like this is too often overlooked) sets up the events that lead to the climax or the introduction of and suspicion surrounding the Firebolt and how this adds stress to Hermione's relationship with Ron and Harry, and paranoia about Sirius. In the movie, many of the important character moments must be sacrificed for the plot to be properly set up, thus the characters are flatter, more archetypal and less interesting. Something of them is lost. This is how when in the books Snape literally tries to kill Neville's toad Trevor just because Neville misinterpreted one of his instructions, he is celebrated as a brave character and not an immature and cruel one. Nor is Harry's internal conflict about wanting to rid himself of Dementors but not wanting to let go of his parents voices explored. Nor the cruelty Lupin faced for being gay a werewolf. Nor Hermione's tendency to overwork herself and her gradual shift to a healthier perspective. Not even the recurring theme of forgiveness - Harry and Ron forgiving Hermione for letting McGonagall take the Firebolt and later for defending Crookshanks when they believe he has eaten Scabbers, the emphasis on Snape's immaturity as he prepares to take Sirius to the Dementors for a Kiss and refuses to even hear his defense because of a childhood grudge, Sirius and Remus showing mercy to Pettigrew in not killing him, as well as the two reuniting after twelve years.

I do not hide the fact that I detest the movies, every time the subject comes up I must argue my case extensively. I fear that these books could not possibly be successfully adapted into movies and not just because I adore the books so much and everything else pales in comparison but because when rereading Harry Potter, one finds an extraordinary amount of detail that was overlooked before, now amazing in light of what happens later in the books, and that is not something that has been done in the movies, I doubt it even could. I am, however, optimistic that it would make for an amazing miniseries, if a reboot ever happened. (Think an episode per chapter. That would give sufficient time to embrace the subtleties and detail of such vivid books, like in the famed 1995 BBC miniseries of Pride and Prejudice. At least I can dream.)

Honestly I don't think this book is my favourite. This time around (however slowly I'm getting through them), Chamber of Secrets has been my favourite. It is the perfect horror story and a great sequel. I have found, however, that through PoA, I've rediscovered my love for Lupin. He's always been my favourite Marauder but I've weaned myself of Harry Potter a bit these last few years. It does feel great to be back and t have him back. I was fighting off tears when he resigned.

I have also learnt that Pettigrew was a spy on Voldemort's side for a solid year before he betrayed Lily and James. I have no idea how I missed that all the other times, I thought he'd merely done it because Voldemort tortured him or something. Turns out he was a dickhead the entire time. I'm amazed such a self-serving person was Sorted into Gryffindor, but I suppose he must have begged the hat.

I have also developed a small theory that the weather is notably miserable in Harry's third year because of all the Dementors around Hogwarts at the time. We know very well how quickly they can drain a room of all warmth so I do not imagine it a stretch to suggest such a high number of them in a concentrated area could have an effect on the light and temperature (in short the weather). That would definitely account for the appalling weather they had to play quidditch in.


I can't wait to graduate to the more sophisticated books. I always thought that the books were so much bigger as Harry got older because as he grew up, he noticed more. I've always felt that the older I get the more I understand things. I'm eager to see what else I can learn from this series.
scvdder: a golden-haired man with a pointy moustache and a sharp suit leaning over on one elbow in interest (marble lover)
Lana Del Rey's latest album, Lust For Life, came out last Friday and I've been more or less listening to it all week. The singles that have lead up to it for the past few months have been rather extraordinary so I had hopes, and boy did she deliver.

Much like Love and Coachella - Woodstock In My Mind implied, the album takes on very dreamy tones, a far cry from the album that first brought her to fame, Born To Die, but a very appropriate sequel to Honeymoon. The instruments are stripped back so that it is her voice carrying the music. Honeymoon and Lust For Life both lead me to such a content state when I listen to them. Like they're the albums you could spend a whole day in bed listening to, just enjoying life and the small things.

The lyrical content of this album is really interesting too - especially the effect that the political landscape in America has had on her music, given she's not typically very political. Songs like Coachella - Woodstock In My Mind, God Bless America - And All the Beautiful Women In It, and When the World Was at War We Kept Dancing all highlight her worries about the political future. Ultimately, she comes to a grim but hopeful conclusion in When the World Was at War We Kept Dancing, as she points out that we have pulled out of similar situations in the past. And while the brash patriotism that every American seems to be prone to is a drag, it's interesting to see how the months during the wiritng of this album have been something of a wake up call.

Other stray songs like 13 Beaches (Lana voicing her frustrations with the paparazzi) and Heroin (a song on the addictive and toxic nature of fame) are also very interesting.

This time around, she did a lot more collaborations than she usually does but as someone who is Here For Lana, I found that very frustrating. Like, half of the titular song is The Weeknd and while I don't mind his stuff, he doesn't fit the genre and he does not deserve the titular song even if they are good friends. I don't really feel like A$AP Rocky or Playboi Carti improved the songs, I just skip over their parts because I want to get back to the good stuff (Lana), and it took me too long to realise the second verse of Beautiful People, Beautiful Problems was another woman, not Lana's voice pitch-shifted so the youtube video couldn't get taken down because of copyright laws. Perhaps if I knew Stevie Nicks better I'd appreciate the song more, and A$AP Rocky and Playboi Carti might be perfectly fine artists. But I don't want them on a Lana Del Rey.

That being said, I adored Sean Ono Lennon on Tomorrow Never Came was a perfect fit. His voice complimented Lana's so well and making that song a duet added to the meaning of the song. He also did many of the instruments and I must admit, the song really does feel like it could of been by The Beatles (in my defense, I thought that even before I realised the singer was John Lennon's son). 


tl;dr: I would die for Lana Del Rey and the day I stop listening to this album is the day I die.
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